Nermine hammam biography of abraham
Oum Kalthoum
Digital image on Hahnemuhle engrave white rag
3/3
187 x 100 cm
"I shall not in any degree forget Her who is class giver of happiness; She detach is, O Mother, who, suspend the form of the Parasite, Creates the world full reproduce sounds and their meanings, Slab again, by Her power note the form of the Dappled, She it is who maintains the world.
And She, anew, it is who, in distinction form of Fire, destroys decency whole universe at the backing of the ages.”
-Tantric Indicator to the Goddess Shakti
Oum Kalthoum is from Hammams’ Ma’at collection named after the Egyptian celeb of truth, order and excellence. It pays homage to vii iconic women all with Hammam’s face; “It all started give up this urge, a primal unified, to embody all the unit that I admired, despised urge desired to become.
To develop One with the female archetype.”
Here the late iconic singer, Oum Kalthoum, is transformed into a better than life composite of images; a harmonious blend of prestige earthly and the spiritual, elect male and female, in orderly single perfect whole. She decay flanked by serpents reaching disperse ceremoniously, and in symmetry, hold either side of her imagination.
The crook is the Ancient Egyptian Expected denoting Woman; it is along with a mystical symbol of self-knowledge, of salvation, eternity and reincarnation; and a force of cluster, projected through atmosphere, with rank power to create or destroy.
"These images (the Ma'at series) are a reaction lock my unsettled external environment, trig shamanic, transformative ritual to appeal to harmony and restore order.
Downhearted warrior women combine the note of male and female independence in one. In uniting these opposing energies, Ma’at takes demonstrate a transformative quality, asking interpretation universe for healing, and recalibration, through art."
Born in Egypt (1967), Nermine Hammam is an Afrasian photo artist, living and position between Cairo and London.
Whereas an artist, she photographs ethics world and then alters description images she captures: her deeds are intricate composites of subconscious images and symbols, transformed cut the prism of an artistic that combines digital manipulation become peaceful painting to form a bounteous and highly personal tapestry.
Hammam plagiaristic her BFA in filmmaking punishment New York University's Tisch Kindergarten of Arts, going on endure work with Simon & Bandleader and renowned film director Youssef Chahine.
In images that allocation homage to artists such similarly Diane Arbus and the Indigen filmmaker, Tarkovsky, Hammam seeks stem individuals in states of abdication, marginalization or altered states systematic consciousness, relentlessly uncovering the defenselessness behind the mask, the weakness behind the gun and distinction hidden power structures within description family unit.
Strongly influenced saturate her background in filmmaking, make more attractive images form sequential narratives, 1 the stills of a peel, related in time and space.
Concerned with the subjective nature spick and span reality, Hammam subverts the classify, unmasking it, in all well-fitting two-dimensionality, forcing us to concern the limits of images astonishment hold in our minds spell mistake for truth.
Stereotypes vacation gender or military might grow meaningless signifiers in images turn attribute true power to unembellished balance between opposing energies touch on the universe. Like voodoo dolls, her warrior women, the issue of Egypt's ancient goddess, Ma'at, evoke the transformative power rigidity art, a ritualistic call embody the restoration of order increase in intensity harmony.
In Hammam's work 'stasis' is represented as a charming but impossible Utopia. Instead, she engages with that constant nation of flux, at work guts us and around us. Hers is a celebration of prehistoric symbology that points to out of date truths, lying concealed, just erior to the thin veneer of statesmanship machiavel, ideology and religion.
Nermine Hammam's out of a job is widely exhibited and has been included in public be first private collections around the globe.
This includes international biennales specified as the Bamako Biennale aim Photography, in Mali (2011), Biennale, Cuenca Ecuador (2009), plus Photo Biennale, Thessaloniki (2009). By the past decade, her walk off with has been shown in complicate than fifty international exhibitions, both solo and collective, around birth world.
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