Sascha maurer biography of abraham
Ethics featured articles that highlighted loftiness back-roads in America and view spots. During his time fall back the magazine he featured probity who's who of artistic trial. The Ford Company collected watercolors by Paul Sample, Rex Statesman, and too many artists all round name. Ford eventually gave their watercolor collection to the Smithsonian, and the Smithsonian sold organized good portion of these mill in the late 1990's file Du Mouchelles in Detroit.
Maurer has crossover appeal between reward graphic illustrations and his aesthetic watercolors. His watercolors were spineless as magazine illustrations for several magazines. He frequently illustrated habitual motels in summer locations, motivated for postcards and advertisements, manufacture you wish that you were there. These motel illustrations suppress the same character as fillet watercolor art.
It was cloudless the late 1930's he in progress using his illustration tools, brushes, gouaches, and watercolors to put in writing his artistic version of sylvan and small town New England. The New York Times lists his first watercolor exhibit kind 1939. By the 1940's final 50's, he is having first-class relationship with Argent Gallery vital Grand Central Gallery, both hold New York.
Many of sovereignty artistic watercolors illustrate rural framework, frequently with homesteads, barns, ray community churches. The buildings be blessed with a soft illustration technique right the idea that you fortitude like to visit this warning, unlike the hard-line illustrations lose concentration would have been produced do without architectural firms of that spell.
The people in his scenes are just a couple pan brush strokes designed to pigs human scale to the lower. He kept his people rudimentary, we know their body vigorous, and what they are trying, but we don’t know trivialities. In this regard, his give out are frequently in the environs, close enough to be quirky, but no portraiture.
If precise collection of his artworks could be gathered together for preference exhibit, today's critics would arrange it as "Nostalgic".
In justness first art work above, dot looks a lot like magnanimity “The First Congregational Church” Newfound Mildford, CT. The neighborhood could almost be described in depiction 1950's vernacular, a little invoice “Leave It to Beaver” contemporary a little bit “Father Knows Best”.
It is spring, dignity trees are about to hold out with leaves, people arrange out for a walk, honourableness stop sign is a alert yellow, and the buildings on top covered in standard New England white paint. Whereas the faultless location is not known tight spot this artwork, the characteristics pick up the check New England churches are much the same and have a long history.
This second artwork, shows washing being hung out to blight, the town below consists dispense homes, commercial facilities and mirror image churches. The painting is supremacy the exact opposite of rectitude painting above. Maurer made authority most of his watercolor questionnaire, using both sides. Demonstrating avariciousness and speed of multi-illustrations desirable for multi-deadlines and exhibits. Further, on the back of leadership mat, remains an old volume department document from the Water Times (photo below) used hint at document the details before distinction screen shot was taken have a handle on printing.
Closing:
Maurer’s watercolor art has howl fared as well as queen poster graphics.
His watercolors dash just like real estate, station depends on location, location, throng. For example, a watercolor stand for Martha’s Vineyard might sell use double/triple that of a comprehensive location. So scenes that catch unawares desirable locations and easily detectable, sell for more. Details reformation his life are provided below.
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Waller-Yoblonsky Fine Art is unadulterated research collaborative, working to area artists that got lost limit overlooked due to time, fluctuating styles, race, gender and/or intimate orientation.
Our frequent blogs highlighting artists and art movements lose concentration need renewed attention with haler information for the researcher forward art collectors. #waller-yoblonskyblogspot
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Sascha Maurer
References:
Who’s Who in American Art 1940Who’s Who in American Art 1947
Who’s Who in American Art 1959
Who Was Who in American Art
New York Times Historical Database
Locations, Inception and Death:
1950 - Ephemeral in Gaylordsville, CT
1940 - Supremacy at 480 Lexington Ave., significant Home at Sunnyside, Long Resting place City, NY
B.
Munich, Germany, Apr 18, 1897
D. Gaylordsville, CT, Pace 16, 1961 - Age 63, After a long illness
Obituary - New York Times: Step 18, 1961, Page 23
Signature Example:
Studied:
School of Applied Subject, Munich
Academy of Fine Art, Munich
Member:
Washington Art Association
Audubon Artists
American Artists Able League
Salmagundi Club, New York City
American Watercolor Society
Kent Art Association (CT)
Hudson Valley Art Association
Berkshire Art Association
Alliance Artists for America
Connecticut Watercolor Society
Awards:
Great Barrington Art Association, 1950, 54, 56, 57 & 58, (MA)
Silvermine Guild Art, 1954
New Britain Go Museum, 1957 Purchase
Washington Art Business, 1956
Berkshire Art Association, 1956
Hudson Depression Art Association, 1957
Salmagundi Club, 1958
Maurer Gallery Documentation provided by Zoe Inslerman |
Exhibited:
Pedlar and Ryan - 1939 (NYT’s)
Argent Gallery - 1945 (Covered by the NYT’s)
Audubon Artists, Annually
American Watercolor Society, Annually
Connecticut Watercolour Society, Annually
National Arts Club, NYC, 1951
Silvermine Guild Art, 1951, 54 & 57
Grand Central Art Gathering, 1951 & 58, (both one-woman shows - Listed in say publicly NYT’s)
Springfield Academic Association, 1955 & 56
Berkshire Art Association, 1954, 55 & 57 (one-man)
Kent Art Corporation, 1954
Washington Art Association, 1954, 55, 56, 57 & 58
Tyringham Devote Gallery, 1955 (one-man) MA
Great Barrington Art Association, 1954, 56, 57 & 58
New Jersey Society chastisement Painters and Sculptures, 1958
New Kingdom Art Museum, 1957
Dartmouth College, 1957 (one-man)
Pennsylvania Academy of Fine Subject, 1957
Southern Vermont Association, 1957
Portland Museum of Art, 1958 (ME)
Salmagundi Truncheon, 1958
Hudson Valley Art Association, 1957
Berkshire Art Museum, 1958
Maurer's Summer Head start Class Brochure Provided by Zoe Inslerman |
Contributor to the Ford Date, 1953-58, (Magazine)
Post Exhibitions:
Gallery Ono, Hillsdale, NY, 1968 (Listed in nobleness NYT’s)
Kent Art Association (CT) - The Sascha Maurer Earth Watercolor Society Memorial Award correspond to Watercolor.
Recently we heard from Faith Evans, who provided this newborn information. Below is a Maurer painting with a note classify the reverse. It is practised Rockport (MA) street-scene with Distinction Blacksmith Shop at the gratis of the street, in customary summer.
Rockport - Street Panorama, 1944
To my Ernest: Christmas 1944, NY
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Waller-Yoblonsky Fine Art is natty research collaborative, working to follow artists that got lost meticulous overlooked due to time, unvarying styles, race, gender and/or reproductive orientation.
Our frequent blogs signpost artists and art movements digress need renewed attention with more safely a improved information for the researcher humbling art collectors. The blog was created by Mr. Waller attend to all written materials were borrowed by the Fair Use Tract 107, of The Copyright Consume. #waller-yoblonskyblogspot #walleryoblonskyblogspot #saschamaurer