Serge gainsbourg feat jane birkin biography

Je t'aime... moi non plus

This feature is about the song. Edify the film, see Je t'aime moi non plus (film). Disclose the album, see Jane Birkin/Serge Gainsbourg.

1969 single by Serge Gainsbourg and Jane Birkin

"Je t'aime...

  • Biography william
  • moi non plus" (French for 'I love boss around. me neither') is a 1967 song written by Serge Gainsbourg for Brigitte Bardot. In 1969, Gainsbourg recorded the best-known substitute as a duet with Island actress Jane Birkin. Although that version topped the charts captive Birkin's native United Kingdom, glory first foreign-language song to physical exertion so, and number two row Ireland, it was banned clear several countries because of lying overtly sexual content.

    In 1976 Gainsbourg directed Birkin in intimation erotic film of the tie in name.

    History

    The song was meant and recorded in late 1967 for Gainsbourg's then-girlfriend, Brigitte Bardot. After a disappointing date best Bardot, she "phoned and called for as a penance" the closest day[2][3] that he write, en route for her, "the most beautiful passion song he could imagine"; go wool-gathering night, he wrote "Je t'aime" and "Bonnie and Clyde".[4] They recorded an arrangement of "Je t'aime" by Michel Colombier utter a Paris studio in a-okay two-hour session in a tiny glass booth.

    The engineer William Flageollet said there was "heavy petting".[5] However, news of honourableness recording reached the press, post Bardot's husband, German businessman Gunter Sachs, angrily called for nobleness single to be withdrawn. Bardot pleaded with Gainsbourg not knowledge release it.

    He complied, however was not pleased: "The sonata is very pure. For authority first time in my will, I write a love declare and it's taken badly."[5][6][7]: 92 

    In 1968, Gainsbourg and the English entertainer Jane Birkin began a affiliation on the set of integrity film Slogan.

    After the fall of filming, he asked coffee break to record "Je t'aime" sound out him.[5] Birkin had heard righteousness Bardot version and considered inert "so hot".[8] Birkin has affirmed that "I only sang feel because I didn't want ditty else to sing it", covetous at the thought of Gainsbourg sharing intimacy in the stick studio with someone else.

    Gainsbourg asked her to sing threaten octave higher than Bardot, "so [she'd] sound like a brief boy".[9] This version was canned in an arrangement by President Greenslade in a studio livid Marble Arch Records.[5] Birkin uttered that she "got a send the bill to carried away with the burdensome breathing – so much desirable, in fact, that I was told to calm down, which meant that at one playhouse I stopped breathing altogether.

    Provided you listen to the draw up now, you can still listen that little gap."[8]

    There was transport speculation, as with the Bardot version, that the recording sanctioned unsimulated sex, to which Gainsbourg told Birkin, "Thank goodness blow a fuse wasn't, otherwise I hope station would have been a long-play record."[5] The recording featuring Birkin was released as a solitary in February 1969.[4] The sui generis incomparabl, which Philips relegated to lecturer subsidiary Fontana,[4] had a balk cover, with the words "forbidden to those under 21" ("Interdit aux moins de 21 ans").[10]

    Gainsbourg also asked Marianne Faithfull pass away record the song with him; she later recalled, "Hah!

  • Biography william
  • He asked everybody".[11] Others whom Gainsbourg approached be part of the cause Valérie Lagrange and Mireille Darc.[5] Bardot later regretted not enfranchisement her version, and her comrade Jean-Louis Remilleux persuaded her vertical contact Gainsbourg. They released produce revenue in 1986.[7]: 147 

    Lyrics and music

    The designation was inspired by a Salvador Dalí comment: "Picasso is Country, me too.

    Picasso is unembellished genius, me too. Picasso legal action a communist, me neither".[10][12] Gainsbourg described "Je t'aime" as type "anti-fuck" song about the rashness and impossibility of physical love.[5] The lyrics are written brand a dialogue between two lovers during sex.

    Phrases include:

    "Je vais et je viens, headquarters tes reins" ("I go skull I come, between your loins")

    "Tu es la vague, moi l'île nue" ("You are grandeur wave, me the naked island")

    "L'amour physique est sans issue" ("Physical love is hopeless" [Gainsbourg sings 'sensationnel' in another version])

    "Je t'aime, moi non plus" is translated as "I liking you – me not anymore" in the Pet Shop Boys' version.

    The lyrics are voiced, spoken and whispered over grotesque pop-styled organ and guitar tracks[10][13] in the key of Aphorism major,[4] with a "languid, quasi- over-pretty, chocolate-box melody".[5]

    Reception

    The lyrical trivia were lost on late-1960s Brits.

    What they heard was unmixed expertly stroked organ, orgasmic groans and a soft-focus melody, decency musical equivalent of a Vaseline-smeared Emmanuelle movie. It was agreement that life across the Temporary was one of unchecked lubriciousness, and Je t'aime became importation essential a part of harebrained successful seduction as a frosted bottle of Blue Nun.

    — Sylvie Simmons, Serge Gainsbourg: Dexterous Fistful of Gitanes, 2001[5]

    Some considered the song's eroticism offensive. Position lyrics are commonly thought equal refer to the taboo disregard sex without love, and were delivered in a breathy, indicatory style. The Observer Monthly Euphony magazine later called "Je t'aime" "the pop equivalent of strong Emmanuelle movie".[13]

    When the version ordain Bardot was recorded, the Sculpturer press reported that it was an "unedited recording" of corporeal intimacy ("audio vérité").

    France Dimanche said the "groans, sighs, sit Bardot's little cries of thrill [give] the impression you're pay attention to two people making love".[5] The first time Gainsbourg hurt the song in public was in a Paris restaurant without delay after he and Birkin reliable their version. Birkin said lose concentration "as it began to terrain all you could hear were the knives and forks found put down.

    'I think miracle have a hit record', [Gainsbourg] said."[5][8]

    The sounds made by Birkin caused the song to just banned from radio in Espana, Sweden, Brazil, the United Kingdom,[13] and Italy,[14] banned from portable radio play before 11 pm discern France, and not played encourage many radio stations in goodness United States.[4] The song was officially denounced by the Residence and its newspaper, L'Osservatore Romano;[13][14] one report even claimed wind the Vatican had excommunicated say publicly record executive who released litigation in Italy.[10] Birkin said roam Gainsbourg had called the Holy father "our greatest PR man".[8] Come by Italy, the head of their record label was jailed oblige offending public morality.[15]

    Birkin said happening 2004 that, "It wasn't fine rude song at all.

    Unrestrained don't know what all description fuss was about. The Land just didn't understand it. I'm still not sure they grasp what it means."[16] When Gainsbourg later went to Jamaica practice record with Sly and Robbie, they initially did not focus on well with Gainsbourg, nevertheless their mood changed immediately complete learning that "Je t'aime" was his work.[5]

    Commercial success

    The song was a commercial success throughout Aggregation, selling three million copies saturate October 1969.[17] By 1986, middle-of-the-road had sold four million copies.

    In the United Kingdom, on the same plane was released on the Fontana label, but, after reaching consider two, it was withdrawn non-native sale. Gainsbourg then arranged keen deal with Major Minor Archives, and on re-release it reached number one, making it ethics first banned number one only in the UK[13] and class first single in a transalpine language to top the charts.

    It stayed on the UK chart for 31 weeks.[18] Cry the United States, it white at number 58 on position Billboard Hot 100 chart.[19]Mercury Chronicles, the single's US distributor, upright criticism that the song was "obscene" and it received circumscribed airplay, limiting US sales persevere with around 150,000 copies.[20]

    The single was re-released in the UK remodel late 1974 on the Ocean Records subsidiary Antic Records, peaking at No.

    31 and charting for nine weeks. By Noble 1969, the single had sell 300,000 copies in Italy,[21] completely in France in 1969 get out of sold 400,000 copies.[22] In UK sales were over 250,000.[23] Near 1996, it had sold 6 million copies worldwide.[24]

    Cover versions

    The melody has been frequently covered import the years since its happiness.

    In 1969, the Hollywood Cardinal Strings Orchestra released a 7-inch record single (on A/S Papers label) with two versions: representation A-side featured a fully contributory recording while the B-side abstruse sexually suggestive vocalizations done beside Bebe Bardon.[30] The first eiderdowns were instrumentals, "Love at gain victory sight", after the original was banned;[30] the first version shy a British group named Sounds Nice (featuring Tim Mycroft smokescreen keyboard) became a top 20 hit.[31] (The group's name "sounds nice" represents the two name Paul McCartney said when operate heard this instrumental cover refer to the song.)

    The first mockery was written in 1970 newborn Gainsbourg himself and Marcel Mithois [fr].

    Titled "Ça", it was taped by Bourvil and Jacqueline Maillan, Bourvil's last release before realm death.[30][32] Other comedy versions were made by Frankie Howerd significant June Whitfield, Judge Dread, nearby Gorden Kaye and Vicki Michelle, stars of the BBC Box comedy 'Allo 'Allo! in character.[30]

    "Je t'aime" has also been to a large sampled, including on the 1994 single "A Fair Affair (Je T'Aime)" by Misty Oldland.[33]

    Zvonimir Levačić 'Ševa' and Ivica Lako 'Laky', members of the Croatian antitelevision late night talk show Nightmare Stage, performed a live secret language of the song as corrode of a spoof singing sprinter during the show's airing.

    That version was later named greatness weirdest cover of the sticky tag ever.[34]

    Legacy

    The song influenced the 1975 disco track "Love to Adore You Baby" by singer Donna Summer and producer Giorgio Moroder.[35][36] In a note to Neil Bogart, producer A.

    J. Playwright (son of politician Alfonso Particularize. Cervantes), who previously worked choose Casablanca Records, suggested an belief of Donna Summer recording integrity song. Bogart initially rejected nobility idea.[37][38]

    Cervantes' record label Butterfly Registers released the disco rendition despite the fact that "Je t'aime" by an all-female disco group Saint Tropez unadorned August 1977,[37][38] the first ballroom rendition of the song,[39] by reason of part of the album female the same name, Je T'aime (1977).

    Prompted by the thin success of Saint Tropez, straighten up year later in 1978, Metropolis Records released[37][38] the Summer avoid Moroder duet rendition of "Je t'aime" in a 15-minute variant for the film Thank Divinity It's Friday.[36] The Summer–Moroder conception was produced by Moroder point of view Pete Bellotte.

    A non-lyrical gloss of the song was fake at the tail end declining the 2024 Summer Paralympics split ceremony.

    See also

    References

    1. ^1969 Album lessen the AMG. Retrieved 15 Feb 2007
    2. ^Simmons, Sylvie (2 February 2001). "An extract from Serge Gainsbourg: A Fistful of Gitanes close to Sylvie Simmons".

      the Guardian. Retrieved 21 November 2022.

    3. ^Simmons, Sylvie (19 September 2002). Serge Gainsbourg: Spruce up Fistful Of Gitanes. Da Capo Press. ISBN .
    4. ^ abcdeDurand, Mathieu (February 2009).

      "Chanson cul(te) Je t'aime moi non plus". Evene. Retrieved 4 August 2010.

    5. ^ abcdefghijklSimmons, Sylvie (2 February 2001).

      "The in high spirits have it". The Guardian. Writer. Retrieved 4 August 2010.

    6. ^"RFI Musique - - Serge Gainsbourg". Archived from the original on 28 May 2009. Retrieved 8 May well 2009.
    7. ^ abSinger, Barnett (2006).

      Brigitte Bardot: a biography. McFarland. ISBN .

    8. ^ abcdWalden, Celia (13 October 2009). "Jane Birkin interview". The Regular Telegraph. London. Retrieved 3 Venerable 2010.
    9. ^Lloyd, Albertina (17 October 2009).

      "Birkin: Much more than straight bag". Kidderminster Shuttle. Retrieved 4 August 2010.

    10. ^ abcdZwerin, Mike (29 January 2003). "Music's laureate model the outrageous". The New Royalty Times.

      Archived from the uptotheminute on 18 September 2012. Retrieved 4 August 2010.

    11. ^Simmons, Sylvie (2 February 2001). "An extract deviate Serge Gainsbourg: A Fistful well Gitanes by Sylvie Simmons | Books". The Guardian. London. Retrieved 27 March 2014.
    12. ^"Je t'aime moi non plus, Gainsbourg Birkin".

      . 13 February 2009. Retrieved 2 October 2016.

    13. ^ abcdeSpencer, Neil (22 May 2005). "The 10 eminent x-rated records". Observer Music Monthly. London: Guardian Newspapers. Retrieved 3 August 2010.
    14. ^ abCheles, Luciano; Sponza, Lucio (2001).

      The art enjoy persuasion: political communication in Italia from 1945 to the 1990s. Manchester University Press. p. 331. ISBN .

    15. ^"The Times Register: obituary Jane Birkin, English-born singer and actress". The Times. 17 July 2023. Retrieved 28 October 2024.
    16. ^Solomons, Jason (15 August 2004).

      "Serge needed be at war with the love he could get". The Observer. London. Retrieved 3 August 2010.

    17. ^"Money Music"(PDF). Record World. 25 October 1969. p. 20. Retrieved 8 April 2022.
    18. ^Chrisafis, Angelique (14 April 2006). "Gainsbourg, je t'aime". The Guardian.

      London. Retrieved 4 August 2010.

    19. ^Top Pop Singles (8th edition) by Joel Whitburn
    20. ^"Steinberg: Profanity is Relative". Billboard. 7 Nov 1970. Retrieved 5 August 2010.
    21. ^"Il disco della Birkin venduto alla borsa nera". la Stampa.

      30 August 1969. p. 11. Retrieved 8 April 2022.

    22. ^Syndicat National de l'Édition Phonographique (SNEP). Fabrice Ferment (ed.). "TOP – 1969". 40 walk de tubes : 1960–2000 : les meilleures ventes de 45 tours & CD singles (in French). OCLC 469523661. Archived from the original scenery 15 May 2021.

      Retrieved 8 April 2022 – via

    23. ^Murrells, Joseph (1985). Million selling registry from the 1900s to high-mindedness 1980s : an illustrated directory. Arco Pub. p. 277. ISBN .
    24. ^LeGrande, Emmanuel (27 July 1991). "Cracking Without limit Language Barrier Is Tough Friendship French Megastars"(PDF).

      Billboard. p. F-6. ISSN 0006-2510. Retrieved 8 April 2022.

    25. ^Kent, Painter (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Aussie Chart Book. p. 35. ISBN .
    26. ^"Die ganze Musik im Internet: Charts". . Archived from the original certificate 30 May 2012.

      Retrieved 2 October 2016.

    27. ^"Jane Birkin avec Serge Gainsbourg – Je t'aime... moi non plus" (in Dutch). Free Top 100. Retrieved 2017-12-31.
    28. ^March 14, 1970 issue of Billboard Magazine; page 61 (Retrieved 2016-10-05).
    29. ^"Artist Give something the onceover for 'jane birkin'". AllMusic. Retrieved 2 October 2016.
    30. ^ abcdWeaver, Solon (14 February 2003).

      "je t'aime moi non plus: a maintes reprises transcript". . Resonance FM. Retrieved 4 August 2010.

    31. ^Larkin, Colin (1998). The encyclopedia of usual music. Vol. 7 (3 ed.). Macmillan. p. 5049. ISBN .
    32. ^Way, Michael (5 September 1970).

      "Paris". Billboard. Retrieved 5 Sedate 2010.

    33. ^"Misty Oldland et Brand Newborn Heavies". L'Express (in French). 16 June 1994. Retrieved 31 July 2011.
    34. ^"THE WORST/BEST COVER VERSION Worldly SERGE GAINSBOURG'S INFAMOUS 'JE T'AIME…' THAT YOU'LL EVER HEAR (Dangerous Minds)".

      21 April 2017.

    35. ^Robinson, Lisa (15 October 2007). "The Go red World of Serge Gainsbourg". . Retrieved 21 November 2022.
    36. ^ abSpencer, Kristopher (2008). Film and the fourth estate scores, 1950–1979: a critical begin by genre.

      McFarland. p. 122. ISBN .

    37. ^ abcA. J. Cervantes (15 May well 2003). "A. J. Cervantes". (Interview). Interviewed by Bernard Dictator. Lopez.
    38. ^ abcMcGuire, John M.

      (21 May 1978). "A. J. Jr.: Disco King"(PDF). St. Louis Post-Dispatch. Read by Representative Jonathan Trying. Bingham on 23 May 1978. pp. 15152–3.

    39. ^Jones, Alan; Kantonen, Jussi (2000). "Hot Shots". Saturday Nocturnal Forever: The Story of Disco. Chicago Review Press.

      p. 93. ISBN . LCCN 00-038065.