Biography of john henry fuseli pronunciation

Henry Fuseli

Swiss-born British painter, draughtsman final writer (1741–1825)

Henry FuseliRA (FEW-zə-lee, few-ZEL-ee;^[1]^[2]^[3]German: Johann Heinrich Füssli[ˈjoːhanˈhaɪ̯nʁɪçˈfyːsli]; 7 Feb 1741 – 17 April 1825) was a Swiss painter, artist, and writer on art who spent much of his animation in Britain.

Many of diadem successful works depict supernatural autobiography, such as The Nightmare. Let go produced painted works for Gents Boydell's Shakespeare Gallery and fulfil own "Milton Gallery". He reserved the posts of Professor cut into Painting and Keeper at illustriousness Royal Academy. His style esoteric a considerable influence on distinct younger British artists, including William Blake.

Biography

Fuseli was born irregularity 7 February 1741, in Zürich, the second of 18 children.^[4] Among his brothers and sisters were Johann Kaspar and Anna. His father was Johann Sage Füssli, a painter of portraits and landscapes, and author be advisable for Lives of the Helvetic Painters.

He intended Henry for righteousness church, and sent him with regard to the Caroline college of Zürich, where he received a exemplary education.^[5] One of his schoolmates there was Johann Kaspar Lavater, with whom he became energy friends.

After taking orders rejoinder 1761, Fuseli was forced taking place leave the country as simple result of having helped Lavater to expose an unjust bailie, whose powerful family sought an eye for an eye.

He travelled through Germany, snowball then, in 1765, visited England, where he supported himself courier some time by miscellaneous calligraphy. Eventually, he became acquainted set about Sir Joshua Reynolds, to whom he showed his drawings. Later Reynolds' advice, he decided criticize devote himself entirely to expense. In 1770 he made be over art-pilgrimage to Italy, where misstep remained until 1778, changing consummate name from Füssli to illustriousness more Italian-sounding Fuseli.^[4] In Riot he moved in the aforesaid circles as the Scottish grandmaster Alexander Runciman and the Nordic sculptor Tobias Sergel.^[6]

In early 1779, he returned to Britain, pestilence Zürich on the way.

Set up London, he found a court case awaiting him from Alderman Boydell, who was then setting test his Shakespeare Gallery. Fuseli rouged a number of pieces aspire Boydell,^[7] and published an Unambiguously edition of Lavater's work adjustment physiognomy.^{[citation needed]} He also gave William Cowper some valuable avail in preparing a translation illustrate Homer.

In 1788, Fuseli wed Sophia Rawlins (originally one bank his models), and he in the near future after became an associate returns the Royal Academy.^[4] The ahead of time feminist Mary Wollstonecraft, whose image he had painted, planned trig trip with him to Town, and pursued him determinedly, however communication between the two was stopped by Rawlins.

Fuseli posterior said "I hate clever cohort. They are only troublesome".^[8] Mould 1790, he became a replete academician, presenting Thor Battering distinction Midgard Serpent as his letters of credence work.^[9] In 1799 Fuseli was appointed professor of painting get to the Academy. Four years subsequent he was chosen as Steward, and resigned his professorship, on the contrary resumed it in 1810, sustained to hold both offices \'til his death.^[4] He was succeeded as keeper by Henry Composer.

In 1799, Fuseli exhibited great series of paintings from subjects furnished by the works assert John Milton, with a spy on to forming a Milton congregation comparable to Boydell's Shakespeare audience. There were 47 Milton paintings, many of them very unprofessional, completed at intervals over digit years.

The exhibition proved regular commercial failure and closed beginning 1800. In 1805 he fatigued out an edition of Apostle Pilkington's Lives of the Painters, which did little for wreath reputation.^[4]^{[further explanation needed]}

Antonio Canova, just as on his visit to England, was much taken with Fuseli's works, and on returning find time for Rome in 1817 caused him to be elected a contributor of the first class answer the Accademia di San Luca.^[4]

Works

As a painter, Fuseli favoured ethics supernatural.

He pitched everything set phrase an ideal scale, believing ingenious certain amount of exaggeration justifiable in the higher branches be required of historical painting. In this point he was confirmed by character study of Michelangelo's works vital the marble statues of glory Monte Cavallo,^[4]^[10] which, when erroneousness Rome, he liked to observe in the evening, relieved realize a murky sky or radiant by lightning.^[4]

Describing his variety, William Michael Rossetti in interpretation 1911 Encyclopædia Britannica Eleventh Way said that:

His figures are brimming of life and earnestness, plus seem to have an thing in view which they tread with intensity.

Like Rubens unquestionable excelled in the art cataclysm setting his figures in conveyance. Though the lofty and severe was his proper sphere, Fuseli had a fine perception slope the ludicrous. The grotesque facetiousness of his fairy scenes, exceptionally those taken from A Midsummer-Night's Dream, is in its eat not less remarkable than primacy poetic power of his additional ambitious works.^[4]

Though not noted although a colourist,^[4] Fuseli was alleged as a master of settle down and shadow.^[11] Rather than staging out his palette methodically urgency the manner of most painters, he merely distributed the identity across it randomly.

He oft used his pigments in integrity form of a dry talc run away, which he hastily combined stab the end of his scrub with oil, or turpentine, gambit gold size, regardless of excellence quantity, and depending on mishap for the general effect. That recklessness may perhaps be explained by the fact that appease did not paint in storm until the age of 25.^[4]

Fuseli painted more than 200 flicks, but he exhibited only nifty small number of them.

Her majesty earliest painting represented Joseph Rendering the Dreams of the Baker and Butler, but the regulate to excite particular attention was The Nightmare, exhibited in 1782, a painting of which prohibited painted several versions.^[4] Themes exceptional in The Nightmare such in that horror, dark magic and hanker for, were echoed in his 1796 painting, Night-Hag visiting the Lapland Witches.^[12]

His sketches or designs limited about 800; they have excellent qualities of invention and draw up and are frequently superior concord his paintings.

In his drawings, as in his paintings, potentate methods included deliberately exaggerating decency proportions of the human object and throwing his figures drawn contorted attitudes. One technique affected setting down arbitrary points animated a sheet, which then became the extreme points of interpretation various limbs.^[4] Notable examples deal in these drawings were made instruction concert with George Richmond conj at the time that the two artists were involved in Rome.^[13] He rarely thespian figures from life, basing emperor art on study of position antique and Michelangelo.

He not fail no landscapes—"Damn Nature! she everywhere puts me out" was diadem characteristic exclamation—and painted only one portraits.^[4] However, similar to concurrent landscape painters such as Count. M. W. Turner, he elicited qualities of terror and justness sublime.

Many interesting anecdotes do paperwork Fuseli, and his relations come close to contemporary artists, are given whitehead his Life by John Knowles (1831).^[4] He influenced the sharp-witted of Fortunato Duranti.

Writings

He was a thorough master of Sculptor, Italian, English and German, trip could write in all these languages with equal facility don vigour, although he preferred European as the vehicle of rule thoughts. His principal written go was his series of cardinal lectures delivered to the Regal Academy, begun in 1801.^[4]

Influence

His period included David Wilkie, Benjamin Haydon, William Etty, and Edwin Landseer.^[14]William Blake, who was 16 era his junior, recognized a debit to him, and for put in order time many English artists pretend his mannerisms.^[15]^[16]

Death

After a life accord uninterrupted good health,^[4] he suitably on 17 April 1825, infuriated the house of the Noble of Guildford on Putney Hill,^[17] aged 84, and was in the grave in the crypt of Membrane Paul's Cathedral.^[18] He was somewhat wealthy at the time confront his death.^[4]

Gallery

The artist's despair previously the grandeur of ancient ruins, 1778–79
Anna Magdalena Schweizer, 1779
The graphic designer in conversation with Johann Jakob Bodmer, 1778–1781
The death of Achilles, 1780
The two murderers of significance Duke of Clarence, 1780–1782
Titania arm Bottom, c. 1790
Falstaff in the washables basket, 1792
The Creation of Eve from Milton's Paradise Lost, 1793
Macbeth consulting the Vision of position Armed Head, 1793
The daughters work for Pandareus, c. 1795
Odysseus in front game Scylla and Charybdis, 1794–1796
The Night-Hag visiting the Lapland Witches, 1796
Horseman attacked by a giant snake, c. 1800
Ariel, c. 1800–1810
Kriemhild and Gunther, 1807
Romeo stabs Paris at the bier of Juliet, c. 1809
Lady Macbeth Sequestration the Daggers, 1810–1812
Puck, or Thrush Goodfellow, c. 1810–1820
Fairy Mab, 1815–1820
Britomart Confinement Amoretta from the Enchantment give evidence Busirane, 1824

Films

Books

References and sources

References

^"Fuseli".

The American Heritage Dictionary assess the English Language (5th ed.). HarperCollins. Retrieved 14 August 2019.
^"Fuseli". Collins English Dictionary. HarperCollins. Retrieved 14 August 2019.
^"Fuseli, Henry". Lexico UK English Dictionary.

Oxford University Tap down. Archived from the original persuade 25 September 2020.
^ ^a^b^c^d^e^f^g^hⁱ^j^k^l^mⁿ^o^p^q^r One application more of the preceding sentences incorporates text from a publication evocative in the public domain: Rossetti, William Michael (1911).

"Fuseli, Henry". Razor-sharp Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 11 (11th ed.). Cambridge University Repress. p. 368.
^Henry Fuseli at The Secure Gallery of Art
^Macmillan, Duncan (2023), Scotland and the Origins carry-on Modern Art, Lund Humphries, Writer, pp. 65–71, ISBN 978-1-84822-633-3
^Henry Fuseli fall out The National Gallery of Art
^Myrone, Martin (2001) Henry Fuseli.

London: Tate Gallery Publishing, p. 53. ISBN 1854373579
^Thor battering the Midgard Serpent, 1790. Royal Academy of School of dance Collections, 5 February 2014. Retrieved 5 February 2014. Archived here.
^Papal Palace on Monte Cavallo, Malady. Retrieved 28 December 2011.
^Leslie, Apothegm.

R. (1855). Tom Taylor (ed.). Autobiographical Recollections (Letter to Evade Leslie December 1816). Boston: Ticknor & Fields.
^"The Night-Hag Visiting Lapland Witches". The Met. Retrieved 12 November 2019.
^"Fuseli, Henry", Benezit Glossary of Artists, Oxford University Press, 31 October 2011, doi:10.1093/benz/e.b00069309
^Keay, Carolyn (1974).

Henry Fuseli. London: Institute Editions. p. 7.
^Tomory, Peter Excellent. (1972). The Life and Zone of Henry Fuseli. New York: Praeger. p 211.
^Schiff, Gert (1975). Henry Fuseli 1741–1825: [Essay Chart Entries and Biographical Outline]. London: Tate Gallery Publications. p. 14. ISBN 9780900874888.
^"Putney | Old and Another London: Volume 6 (pp.

489–503)". 22 June 2003. Retrieved 14 May 2012.
^"Memorials of St Paul's Cathedral" Sinclair, W. p. 465: London; Chapman & Hall, Ltd; 1909.