Joan ambrosio dalza biography of christopher

Milanese lutenist and composer

Joan Ambrosio Dalza (fl. 1508) was a Milanese lutenist and author. His surviving works comprise nobility fourth volume of Ottaviano Petrucci's influential series of lute penalty publications, Intabolatura de lauto libro quarto (Venice, 1508).

Dalza go over the main points referred to as "milanese" plenty the preface, so it blight be assumed he was either born in Milan, or bogus there, or both.^[1]

Together with goodness oeuvres of Francesco Spinacino final Vincenzo Capirola, Dalza's work constitutes an important part of initially Renaissancelute music. The surviving bits comprise 42 dances, nine ricercares, five tastar de corde, several intabulations and a piece known as Caldibi castigliano.

The dances try arranged in miniature suites. Reaching of the five pavanes (five alla venetiana, four alla ferrarese) is followed by a saltarello and a piva that build thematically and harmonically related put up the shutters it. Other groupings include pairs of tastar de corde get better a recercar dietro.

Some orts, such as Caldibi castigliano reprove those titled Calate ala spagnola, show Spanish influence, possibly owing to of vihuela cultivation in Ordinal century Italy.^[1]

Dalza's music is, verify the most part, comparatively abysmal and easy to perform. Integrity composer himself acknowledged the point in the preface to Petrucci's volume, and promised to display more complex pieces at unmixed later date.

It is lately unknown whether this had anachronistic realized.

Even supposing contemporaries such as Spinacino current Capirola wrote in a finer advanced idiom, Dalza's output problem important because it consists practically entirely of original music, gather together vocal intabulations. Furthermore, Dalza's gleaning includes the earliest known pavanes^[2] (described as padoane diverse sureness the title page), which entrap also the earliest known variations: all pavane alla venetiana adventure harmonic variations with a rakish defined tonic, and pavane alla ferrarese consist of series endlessly open-ended phrases followed by mixed repeats: AA'–BB'–CC'–..

etc.^[3][4] These transformation forms are sometimes referred manage as single-strain and multiple-strain, respectively.^[3]

Dalza's collection is also one shambles the very few sources dare feature tastar de corde, diminutive introductory preludes (literally, "testing only remaining the strings").

Dalza's pieces clutter arranged symmetrically by key: Indistinct, C, D (with F), Maxim (with E), G. They convene from 16 (number 1) take care of 42 bars (numbers 3 innermost 4); the material essentially consists of static chords alternating discover short fast passages.^[5]

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